Showing posts with label Wise words. Show all posts
Showing posts with label Wise words. Show all posts

Remembering Joe Strummer through Marley...



Bob Marley's Redemption Song sung by Joe Strummer in one of his collaborations after the heady days of The Clash. H/T to Billy Bragg for reminding us of Joe's untimely passing 10 years ago. In The Progressive Patriot Billy explains how The Clash changed his life at the 1978 Rock Against Racism (RAR) concert in Hackney:
The Clash taught me a valuable lesson that day, which I have in the back of my mind every time I write a song or step out on to a stage: although you can’t change the world by singing songs and doing gigs, the things you say and the actions you take can change the perceptions of members of the audience...
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Sensing the Divine in engineering...


Have been a fascinated viewer of the Extreme Railways series on Channel 5 presented by Chris Tarrant. This week's edition featured the Konkan Railway which runs down the West coast, covering mountainous and marshy terrain thought by the British to be totally unsuitable for a permanent way. Built over 8 years between 1990 and 1997 by a wonderfully enthusiastic team who overcame some incredible obstacles despite a heavy price paid in life and limb. The highlight for me was hearing the Chief Engineer Rajaram Bojji proudly escorting Mr T to a vantage point to witness the incredible Panval Viaduct, at 210 feet the third highest bridge in the whole of Asia:
It never stops amazing me, it fills my heart with such a happiness I'm telling you. There must me some kind of ultimately divine spirit which makes humans to think and do things which look apparently impossible.
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Catching lightning in a bottle... Jools Holland



Last night's fascinating and insightful programme looking into Jools Holland's career in music and as a TV presenter. As well as an unbelievable player along with his encyclopaedic knowledge of recording artistes and industry history, he also commands great respect from many musical legends because of his talent. As a personal benchmark I often gauge an artist, band or solo, by whether they would be good (or quirky!) enough to appear on Later with Jools.

Throughout the programme there were many gems about music, notably in his demonstration about the difference between learning by ear and a typical piano lesson and then when he enthused about his band, "the perfect band". Describing soul singer Ruby Turner, an integral part of his big band line-up:
"she is us... it's not about the sound, it's about the feeling, and then you hear this sound and this is, like, coming from a completely different place to the modern world but touching a thing that's alive and vital now, and it's all those things of the church, of the blues, of everything all mashed up into this thing that hits you like a nuclear reactor."
Another succinct explanation of the core theme of our book "The Secret Chord"...

The full programme available for next 6 days.

Former CBS record label mates convention....



Had an unexpected reunion with former CBS records labelmate John Cooper Clarke, still strutting his stuff as the definitive punk poet... On the right (my left in the photo) is one of my son's craft stalls (Sam's Wood) with his wooden creations displayed in the Essex town of Wivenhoe, where JCC now resides.

We reminisced about the various shared acquaintances and personalities from those days, compared notes on our life stories since being 'signed' and generally put the world to rights. Have to say his detailed memory from those heady days is impressive, he hasn't aged a bit ;-)

Here is one of my favourite examples of his work:
I wrote the songs that nearly made
The bottom line of the hit parade
Almost anthems, shoulda been hits
Songs like... Puttin' on the Ritz
Some enchanted afternoon
Twenty-four hours to Levenshulme
Dancin' in the daylight, singin' in the smog
You ain't nothin' but a hedgehog
So close and yet so far
Do you remember they way we are
I'd like to get you on a speedboat to china
From an idea by George Steiner
Ain't no blag - uncle's got a brand new jag
Ain't no slouch - mama's got a brand new couch
She ain't heavy, she's my sister
Not to leave out twist and whisper
Brand new leapordskin pillbox glove
Baby you and me we got a greasy kind of love
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Whoever has an ear to hear...



For those with family members, friends and senses that understand, an excellent mini TED talk...

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Greenbelt wisdom in the mud...

Ben Griffin and Ciaron O'Reilly preaching faith, justice and peace across the Sea of Galilee...

Prompted by one of those amazing moments when a chance encounter (with a GB angel!) at this year's Greenbelt Festival meant I landed up listening to Ben's incredible story yesterday morn. With only a handful of intrepid souls making it up across the marsh and slurry there are at least another 22,000 who should listen to this one talk above all others IMNSHO...

The Greenbelt programme blurb reads as follows:
Ben Griffin (Veterans For Peace UK) served with the SAS in Baghdad, handing Iraqi civilians to the US for advanced interrogation. Ciaron O'Reilly with the Pitstop Ploughshares community broke into a hangar at Shannon Airport and disabled a US warplane en route to Iraq. They share their experiences and reflect on war, faith and non-violent resistance.
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Emmanuel Jal - Savvy Peace Soldier...



Last night I was privileged to attend the Get the Youth Talking event in Camden, organised by a handful of charities linked together by the extraordinary and charismatic singer Emmanuel Jal. The evening was effectively in four parts commencing with a lively panel discussion on how to engage the far flung young and exiled Sudanese to work together to stimulate peace in their troubled land. As well as Emmanuel the contributors included representatives from Amnesty International (student section) and Jeremy Gilley from Peace One Day.

The video above can only give some idea of the fragile situation in Sudan since South Sudan declared independence last year on 9th July, hence the mobilisation to engineer the rallies outside embassies on the anniversary in one week's time on Monday. The panel and audience discussions were revealing, encouraging and sought to gain positive ground with insightful and well informed views.

Part two of the evening was spend enjoying East African cuisine from one of the sponsors, restaurateurs Abyssinia, and very splendid it was too!

Before the host took to the stage the seating was cleared away and Congolese poet JouJou Bola painted a moving picture of reality in African countries plundered for their conflict minerals.

One of the first surprises was to see a full band in action behind Emmanuel rather than the usual decks and tracks accompaniment. Emmanuel appeared at the back of the venue, clambered through the expectant audience bounced and onto stage before proceeding to lead the band through a seriously energetic performance. The set list comprised a selection picked mainly from War Child and his forthcoming CD, See Me Mama, the latter scheduled for an August release.

Throughout the set high energy levels were maintained, the band cooked, the drummer being the star player, and everyone couldn't help dancing to the groove. It was exuberant, colourful, moving and anthemic with the musical direction tipping a big nod towards reggae rather than solely hip-hop or rap. To Emmanuel's surprise and delight the audience was mainly Sudanese, whereas he usually plays to predominantly European or American punters.

After the show I was able to grab a few moments with him and he stressed the We Want Peace movement is an ongoing initiative despite the immediate focus on the worldwide rallies on July 9th and the follow up concert in South Sudan linking in with the Peace One Day 2012 on 21st September. Emmanuel is known worldwide as an activist, he now wants to mobilise people with the same vision as 'Peace Soldiers'. The downside is that all this activism is mainly self financed which has prompted him to start ringfencing his music work, his own label Gatwitch Records has been formed to consolidate this.

See Me Mama will be his fourth full CD album, he categorised his previous work as follows:
  1. Gua (2005) - Expression to God, giving thanks
  2. Ceasefire (2005) - exactly that (also a collaboration across religious divides)
  3. Warchild (2008) - telling my story and developing as an artist
Undoubtedly War Child is his best known album as that was created once sufficient time and healing had elapsed for his remarkable story to be revealed, the song Forced to Sin effectively encapsulating it in a deeply moving, hip hop elegy. As well as the radio friendly title track another song about his late rescuer, Emma McCune, received recognition as it was introduced at Nelson Mandela's 90th birthday gig by kindred spirit, non other than the venerable Peter Gabriel.

Emmanuel's music deserves much more commercial success, one of the down sides of achieving almost cult status as an outspoken activist is that does not translate into sales. However, listening to the advance copy of the new CD on the way back the move toward the sing-along, anthemic style is a potential winner along with the grooves and unique voice. Furthermore, the growing interest from his fellow countryfolk may mean he can overcome the challenge of being a prophet in his own land...

Other important Emmanuel Jal links to check out:
Gua Africa
Lose to Win
Blog post on We Want Peace video
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Bruce Springsteen from boy to Soul and Spirit...



An insightful (and rare) interview with 'The Boss', who talks about the influence of his childhood house and Catholic upbringing in relation to his brilliant Wrecking Ball album. For Apple viewers here's some text but video may still be Flash :-(

P h/t Martyn Joseph

Fathoming Francis... Savvy Saint


My attention was first drawn to Ian Morgan Cron's (IMC) literary output when the Greenbelt highlighted a review he had made about the 2010 Festival which I blogged about here. Subsequently his 'memoir of sorts' Jesus, My Father, the CIA, and Me was praised by friends such as Maggi Dawn and Martin Wroe so I felt compelled to purchase, despite the J word in the title! To say I enjoyed it is an understatement, it was one of my top reads last year and one I heartily recommend. I was also aware of IMC's earlier book, Chasing Francis: A Pilgrim's Tale, a novel about a pastor of an evangelical 'megachurch' in New England who struggles with a crisis of faith, so when given the opportunity to review it I was delighted.

The book is prefaced with a firmly worded disclaimer that Chase Falson is not IMC in disguise... Ha, I expect I will not be the only one determined to find cracks in that defence! It then opens with Chase arriving in Italy to visit his Uncle Kenny after bucking the trend in church by saying what he really thinks and, as an outcome, being given an immediate sabbatical by the church elders (the Sanhedrin?!). The key characters in the church are introduced before the action happens as Chase is 'nudged' to call this enigmatic Uncle, a Franciscan monk / priest, who has persuaded Chase to drop everything and fly to Europe forthwith.

What then ensues is somewhat of a whirlwind exploration of both the physical church connections and the theology of Saint Francis of Assisi in the company of a bunch of lairy guys who are able to impart wisdom through both their love and behaviour. So our erstwhile pastor is thrown into a bewildering world of relatively orthodox Roman Catholic rituals and edifices in the company of these 'disciples' as they unpack the history of St. Francis. As a result Chase starts to write his journal entries directly to St. Francis, another literary medium to impart some deeply personal thoughts about his pilgrimage. There are some notable counterpoints, too, as St. Francis' advanced thinking is explored, for example, I couldn't help notice the narrative as red wine was poured into plastic cups whilst simultaneously discussing how St. Francis was effectively the first Christian enviromentalist. Furthermore, during one of the services of Mass there are disctinct similarities between the young IMC and the adult Chase. Ian, you've been sussed!

Now, just as I was starting to get a little uncomfortable thinking that the answer to all my spiritual quests could only be answered by attending Mass and/or church even more, half way through the book Chase is on his own and lands up encountering Carla, a gifted and beautiful cellist. Subsequently they share a meal with a top notch musicologist who has a major effect on them both.

From then on I was hooked. Ok, music may be home territory for me, but I found myself reflecting that perhaps, as a reader, I need to cover all the same ground as Chase, to be a pilgrim too? From then on I found myself reading purposefully, allowing myself to be absorbed as even more stunning surprises were revealed before the build up to the challenging conclusion, which is neither one of received wisdom or what you might expect. This is then developed in greater detail in the excellent and comprehensive study guide included as an appendix.

Interestingly his two books appear to be directed at different audiences. Chasing Francis is much more of a book for a Christian, churchy type whilst I could certainly give Jesus, My Father, The CIA and me to anyone, regardless of their faith journey or affiliation. As a UK citizen who just has to drive across this country to experience the relatively radical teaching that forms the core of the Greenbelt Festival ethos, I feel much of the theology in Chasing Francis was comforting rather than revolutionary. However, I equally found that an important aspect of this book is the encouragement and endorsement it provides, particularly concerning the arts and, for me, music. One minor warning for non North Amercian readers is some of the language and acronyms may remain a total mystery! IMC's later book translates better in that respect.

Readers will really appreciate IMC's turn of phrase, he has a enchanting writing style that makes this book very enjoyable and, as I said earlier, a great encouragement. More significant are the layers in the narrative that give the reader the opportunity to mine the text for interpretations that match their current condition, which migrates this work from purely fiction. IMC refers to this as 'wisdom literature' in the introduction, an apposite description. And what's really intriguing is the loose ends with many of the characters, roll on the sequel...!

Ian Morgan Cron is one of the speakers this year at Greenbelt 2012

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I see the Power of Music...



Another great TED talk from Abigail Washburn with some powerful quotes:
I see the power of music to connect cultures. I see it when I stand on a stage at a bluegrass festival … and I bust out into a song in Chinese, and everybody's eyes just pop wide open.
I see the power of music to connect hearts...
DO watch all the way through. Thank you TED

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We all give God the blues...


From the album Mercyland: Hymns For The Rest Of Us, a collection of 12 songs curated by Phil Madeira by various artists. As well as this song in the style of the Blues there are contributions ranging from traditional, Country and Rottsy folk songs.


This Nashville Scene article explains more, a couple of sentences that challenge are:
a devotional album without all the religious and commercial hoopla
"I think the most visible expressions of Christian faith are very exclusive, and I think that has been a real struggle for me."
P h/t @iancron

Bruce Springsteen taking care...



From Bruce's new album 'Wrecking Ball', another anthem demonstrating his lyrical ability to provoke a challenge in a statement...

Read more from The Telegraph: Bruce Springsteen: I enjoy artists who take on the world

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Head Full Of Doubt / Road Full Of Promise



Lots to love about this video which interprets the song in both an abstract and complimentary way without resorting to literal imagery whilst still using a mainly 'traditional' approach... Also see how the video was put together here by artist Jason Mitcham who discusses the project with one of the The Avett Brothers founder members Scott Avett.

If the video above is unavailable in your country, try this link.

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Ten Years After...



Yesterday (Sunday 11th Sept 2011) I was privileged to musically assist my buddy Rob Halligan at one of the events happening on the 10th anniversary of 9/11. Because of the extra security in Grosvenor Square for the BBC live transmission of the afternoon memorial ceremony meant I landed up having to be between the inner 'secure' area and the great outside. So I was only able to watch, from a distance, over the hedge or through the door of one of the BBC outside broadcast trucks whilst being unable to traverse either security cordon. Ironically this restriction then enabled a wider perspective on what was happening all around the square, both being able to witness the various protests and 'unrest' along with hobnobbing with the police and media personnel. At times there were some unusual juxtapositions, for example there was one period when what protestors were shouting through a megaphone blended with very audible music from the Radio 2 Hyde Park concert whilst the Thoresby Colliery Welfare Band brass band deftly played Sir Edward Elgar's sublime 'Nimrod' as the guests were gathering.

Prior to the service Rob was on the media interview 'treadmill', his responses encompassing the virtues of grace, forgiveness, hope and redemption giving the broadcasters an opportunity to explore a sea change in thinking partly fueled by a sense of 9/11 'replay' fatigue. And all this under the shadow of the massive eagle atop the foreboding American embassy to the West. Even the programmes presenter, David Dimbleby, felt some optimism replacing the usual entrenched views when chairing an intriguing Questiontime on 9/11 the preceding week.

Another of the concerns expressed by various commentators is that the repeated showing of films of from that day would inflict pain on grieving relatives all over again. However, whilst sharing one of those precious cuppa moments with Rob yesterday he said that it isn't the footage that gets to him, it is often music that's the trigger to bereavement symptoms. Some songs, some bands and even music that is not Rob's taste all have a powerful effect. Nowadays when there is such a close correlation of news footage and a typical Hollywood blockbuster perhaps we actually become inured to reality once it is repeated so many times?

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If I ever lose my faith in you...


Sounds like Sting was on a mission penning this highly prophetic masterpiece way back in 1993...
You could say I lost my faith in science and progress
You could say I lost my belief in the holy church
You could say I lost my sense of direction
You could say all of this and worse but

If I ever lose my faith in you
There'd be nothing left for me to do...
(great song, shame about the video...)

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Out of the mouths of babes...



Adele's wonderful cover of Bob Dylan's 'Make You Feel My Love' plays over the closing credits for BBC's documentary masterpiece, 'Poor Kids' broadcast last Tuesday. Filmed and directed brilliantly by Jezza Neumann, here's the official blurb:
Documentary telling the stories of some of the 3.5 million children living in poverty in the UK. It is one of the worst child poverty rates in the industrialised world, and successive governments continue to struggle to bring it into line. So who are these children, and where are they living? Under-represented, under-nourished and often under the radar, 3.5 million children should be given a voice. And this powerful film does just that.

Eight-year-old Courtney, 10-year-old Paige and 11-year-old Sam live in different parts of the UK. Breathtakingly honest and eloquent, they give testament to how having no money affects their lives: lack of food, being bullied and having nowhere to play. The children might be indignant about their situation now, but this may not be enough to help them. Their thoughts on their futures are sobering.

Sam's 16-year-old sister Kayleigh puts it all into context, as she tells how the effects of poverty led her to take extreme measures to try and escape it all.

Poor Kids puts the children on centre stage, and they command it with honesty and directness. It's time for everyone to listen.
Sadly there are only a few days left to watch on iPlayer, try and make the time...

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