BI - "Tuf Jak" | Track Feature




Eric Copeland, a man not usually known for this sort of thing, has just released an accessible pop jammer for your aural consumption. It comes courtesy of his new project BI, a collaboration with ex Haunted Graffiti and Beachwood Sparks drummer Jimi Hey. Aesthetically similar to his recent solo work, yet more polished, Copeland seems to have struck gold here. Slathered in weird vibes, “Tuf Jak” sounds like a summer day spent basking in the glow of lysergia with your back to the grass and eyes to the sky. Modulated guitar dominates the track, hammering home a classic garage beat filtered through god knows how many effects. By the time the close harmonized vocals and fuzz bass come in, you're already sold. Grab some headphones and get weird y'all.

"Tuf Jak" will be released on BI's debut 7 inch, out 4/17 via Mexican Summer.

JUNiOR KiMBROUGH and R.L. BURNSiDE - Chicago Blues Festival - 1995





Cheers to DJ Hillfunk for the find!

R.L. BURNSiDE - Going Down South - Live - 1995 - Murphysboro, Illinois

Devin Miller writes:

"I recorded the audio on a $25 mini-jambox I bought at Sears, so forgiveness for the lo-fi and modulation. Musicians with R.L. including 17-year-old Cedric Burnside, Kenny Brown, and Dale Beavers (on bass). This was the second time I saw R.L. and one of four. The visuals is Super 8 film I shot that day (actually the first film I ever shot in my life). Then projected against the wall and captured with my Canon 5D Mark II for digital capture. No post processing or filters used other than cross dissolve and timing."


Kudos to DJ Hillfunk for the find!


Key of Shame - Live at Death By Audio | Artist Feature




This past February I found myself smack dab in the middle of a heady set by Key of Shame where my ears & mind were essentially melted by the duo's grey-matter dirge. It is a sound embedded with the sounds of a dystopian electronic future wherein they are constantly reconfiguring the concept many have that synthesis & electronics provide the golden opening towards some unforeseen future of leisure & bliss. Totally cracked guitars, synth textures that warp in & out of the mix, & the constant squeal  moaning of what sounds like the World's Fair running out of batteries. 

Considering the dudes behind KoS, Pat Murano (Decimus, NNCK) + Mark Morgan (Sightings), the overall sound isn't so surprising as it follows upon some similar aesthetic elements both members other projects, bits of screeching guitars, soundtrack vibes, industrial murk as a result of urban living. What is surprising is the ease in translating the recorded sound into the live environment and vice-versa. Needless to say that fans of any project Murano & Morgan are in will find much to love here. 

For those in the NYC are May 15th be sure to come catch a special collaboration between  Decimus + Tom Carter at Death By Audio. The show will also feature an exclusive US performance by Charalambides and locals Pigeons as part of another Last Nights Presents event.